<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0" xml:base="http://wgbh.org" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" xmlns:npr="http://www.npr.org/rss/" xmlns:pbscontent="http://www.pbs.org/rss/pbscontent/">

	<channel>
		<title>Classical Performance podcast</title>
		<link>http://wgbh.org/classical</link>
		<description>The Classical Performance podcast features the very best live classical performances, recorded by WGBH and broadcast on Classical New England. From local up-and-comers to world-renown masters, the Classical Performance podcast is your source for classical, on the go.</description>
		<language>en</language>
		<itunes:author>WGBH Educational Foundation</itunes:author>
		<itunes:subtitle>Produced for WGBH Educational Foundation.</itunes:subtitle>
		<itunes:explicit>no</itunes:explicit>
		<itunes:owner>
			<itunes:name>WGBH Educational Foundation</itunes:name>
			<itunes:email>support@wgbh.org</itunes:email>
		</itunes:owner>
		<itunes:image href="http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg" />

		<copyright>2011 WGBH Educational Foundation</copyright>

		<itunes:keywords>podcast classical performance WGBH Alan McLellan</itunes:keywords>
		<itunes:category text="News &amp; Politics"> </itunes:category>

		<image>
			<url>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</url>
			<title>Classical Performance podcast Audio Podcast</title>
			<link>http://wgbh.org/classical</link>
		</image>

		

		<item>
			<title>Trio Settecento plays Corelli and Muffat</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Trio-Settecento-plays-Corelli-and-Muffat-29969</link>
			<description>&lt;span style=&quot;font-size: 12px;&quot;&gt;&lt;span id=&quot;internal-source-marker_0.41451162778743356&quot; style=&quot;font-family: Arial; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;The multi-faceted virtuoso violinist Rachel Barton Pine heads up the Trio Settecento, performing early music with John Mark Rozendaal, baroque cello, and David Schrader, harpsichord.  They play music by the trend-setting composer Arcangelo Corelli, and by the frenchman, Georg Muffat.&lt;br /&gt;
***&lt;br /&gt;
Corelli:  Sonata in C major, Op. 5 No. 3&lt;br /&gt;
Georg Muffat:  Sonata in D major&lt;br /&gt;
Trio Settecento:  &lt;/span&gt;Rachel Barton Pine, baroque violin; John Mark Rozendaal, baroque &amp;#39;cello; David Schrader, harpsichord&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on May 16th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;/span&gt;&lt;br /&gt;</description>
			<media:description>&lt;span style=&quot;font-size: 12px;&quot;&gt;&lt;span id=&quot;internal-source-marker_0.41451162778743356&quot; style=&quot;font-family: Arial; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;The multi-faceted virtuoso violinist Rachel Barton Pine heads up the Trio Settecento, performing early music with John Mark Rozendaal, baroque cello, and David Schrader, harpsichord.  They play music by the trend-setting composer Arcangelo Corelli, and by the frenchman, Georg Muffat.&lt;br /&gt;
***&lt;br /&gt;
Corelli:  Sonata in C major, Op. 5 No. 3&lt;br /&gt;
Georg Muffat:  Sonata in D major&lt;br /&gt;
Trio Settecento:  &lt;/span&gt;Rachel Barton Pine, baroque violin; John Mark Rozendaal, baroque &amp;#39;cello; David Schrader, harpsichord&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on May 16th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;/span&gt;&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod110616triosettecento.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 01 Jul 2011 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod110616triosettecento.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Georg Muffat, Arcangelo Corelli, Trio Sonata, baroque, chamber music</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>William Hite sings Schumann</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/William-Hite-sings-Schumann-29377</link>
			<description>Things were looking up for Robert Schumann in 1840.  He was finally getting permission to marry his sweetheart, Clara Wieck, over the objections of her father.  And he poured all his joy into songs - hundreds of them in that year!  &lt;em&gt;Dichterliebe&lt;/em&gt; (Poet&amp;#39;s love) consists of 16 songs, which follow the path of love from longing and anticipation to heartache and illusion, when the lover discovers that his sentiments are not returned.&lt;br /&gt;
***&lt;br /&gt;
Schumann:  Dichterliebe, Op. 48&lt;br /&gt;
William Hite, tenor; Judith Gordon, piano&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Studio One on February 9th, 2001.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</description>
			<media:description>Things were looking up for Robert Schumann in 1840.  He was finally getting permission to marry his sweetheart, Clara Wieck, over the objections of her father.  And he poured all his joy into songs - hundreds of them in that year!  &lt;em&gt;Dichterliebe&lt;/em&gt; (Poet&amp;#39;s love) consists of 16 songs, which follow the path of love from longing and anticipation to heartache and illusion, when the lover discovers that his sentiments are not returned.&lt;br /&gt;
***&lt;br /&gt;
Schumann:  Dichterliebe, Op. 48&lt;br /&gt;
William Hite, tenor; Judith Gordon, piano&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Studio One on February 9th, 2001.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod010209williamhitejudithgordon.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Mon, 06 Jun 2011 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod010209williamhitejudithgordon.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Schumann, Dichterliebe, Judith Gordon, William Hite, Bill Hite, tenor, piano, Heinrich Heine</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Charlie Albright plays Chopin</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Charlie-Albright-plays-Chopin-29080</link>
			<description>Pianist Charlie Albright has been counted &quot;...among the most gifted musicians of his generation&quot; by the Washington Post, and he&amp;#39;s the winner of dozens of prizes and awards for his playing, but he has another life too, as an undergrad working hard to finish his Economics exams at Harvard!  He talks about the life of a student-artist, and plays sublime Chopin in this Fraser Performance.&lt;br /&gt;
***&lt;br /&gt;
Chopin:  Etudes, Op. 25:  No. 1 in A-flat, No. 2 in F major, No. 7 in C-sharp minor, No. 9 in G-flat major, and No. 12 in C minor.&lt;br /&gt;
Charllie Albright, piano&lt;br /&gt;
+++&lt;br /&gt;
http://www.charliealbright.com/&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on May 5th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</description>
			<media:description>Pianist Charlie Albright has been counted &quot;...among the most gifted musicians of his generation&quot; by the Washington Post, and he&amp;#39;s the winner of dozens of prizes and awards for his playing, but he has another life too, as an undergrad working hard to finish his Economics exams at Harvard!  He talks about the life of a student-artist, and plays sublime Chopin in this Fraser Performance.&lt;br /&gt;
***&lt;br /&gt;
Chopin:  Etudes, Op. 25:  No. 1 in A-flat, No. 2 in F major, No. 7 in C-sharp minor, No. 9 in G-flat major, and No. 12 in C minor.&lt;br /&gt;
Charllie Albright, piano&lt;br /&gt;
+++&lt;br /&gt;
http://www.charliealbright.com/&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on May 5th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod110505charliealbright.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Sat, 21 May 2011 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod110505charliealbright.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Charlie Albright, Chopin, Etudes, piano, Harvard, New England Conservatory</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>The Gramercy Trio plays Schumann</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/The-Gramercy-Trio-plays-Schumann-28617</link>
			<description>Robert Schumann&amp;#39;s great ambition was to become a concert pianist, and he was on his way to acheiving that goal when he permanently injured his hand, putting a stop to his performing career.  But Clara Wieck, the love of his life, was also a great pianist, and she became the most brilliant and successful piano virtuoso of her time.  So Robert was able to pour all his passion for the piano (and for Clara!) into his compositions.  This is one of his best chamber pieces, the Piano Trio No. 1 in D minor.&lt;br /&gt;
***&lt;br /&gt;
Schumann, Robert:  Piano Trio No. 1 in D minor, Op. 63&lt;br /&gt;
The Gramercy Trio&lt;br /&gt;
+++&lt;br /&gt;
Randall Hodgkinson, piano; Sharan Leventhal, violin; Jonathan Miller, cello&lt;br /&gt;
http://gramercytrio.com/&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Studio One on November 30th, 2004.&lt;br /&gt;
&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;</description>
			<media:description>Robert Schumann&amp;#39;s great ambition was to become a concert pianist, and he was on his way to acheiving that goal when he permanently injured his hand, putting a stop to his performing career.  But Clara Wieck, the love of his life, was also a great pianist, and she became the most brilliant and successful piano virtuoso of her time.  So Robert was able to pour all his passion for the piano (and for Clara!) into his compositions.  This is one of his best chamber pieces, the Piano Trio No. 1 in D minor.&lt;br /&gt;
***&lt;br /&gt;
Schumann, Robert:  Piano Trio No. 1 in D minor, Op. 63&lt;br /&gt;
The Gramercy Trio&lt;br /&gt;
+++&lt;br /&gt;
Randall Hodgkinson, piano; Sharan Leventhal, violin; Jonathan Miller, cello&lt;br /&gt;
http://gramercytrio.com/&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Studio One on November 30th, 2004.&lt;br /&gt;
&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod041130gramercytrio.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Sun, 08 May 2011 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod041130gramercytrio.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Schumann, piano trio, chamber music, Robert Schumann, piano, violin, cello</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Martin Jones plays Liszt</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Martin-Jones-plays-Liszt-27585</link>
			<description>They all laughed in 1851 when Franz Liszt claimed that Bach&amp;rsquo;s works would &amp;ldquo;for coming centuries remain an object of admiration and astonishment.&amp;rdquo; But how were they to know?  Liszt had a great admiration for the baroque master, as you can hear in this arrangement from one of Bach&amp;#39;s Cantata themes.&lt;br /&gt;
***&lt;br /&gt;
Liszt:  Variations on a Theme By Bach&lt;br /&gt;
Martin Jones, piano&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on April 5th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical&lt;br /&gt;
email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</description>
			<media:description>They all laughed in 1851 when Franz Liszt claimed that Bach&amp;rsquo;s works would &amp;ldquo;for coming centuries remain an object of admiration and astonishment.&amp;rdquo; But how were they to know?  Liszt had a great admiration for the baroque master, as you can hear in this arrangement from one of Bach&amp;#39;s Cantata themes.&lt;br /&gt;
***&lt;br /&gt;
Liszt:  Variations on a Theme By Bach&lt;br /&gt;
Martin Jones, piano&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on April 5th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical&lt;br /&gt;
email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod110405martinjones.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 22 Apr 2011 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod110405martinjones.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Liszt, Martin Jones, piano, Bach, Weinen, Klagen, Sorgen, Sagen, cantata,</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Ann Hobson Pilot and Lucia Lin play Saint Saens</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Ann-Hobson-Pilot-and-Lucia-Lin-play-Saint-Saens-27341</link>
			<description>Ann Hobson Pilot played the harp with the Boston Symphony Orchestra for almost 40 years, until her retirement in 2008.  She hasn&amp;rsquo;t retired from music, though!  A highly respected chamber musician, she got together with violinist Lucia Lin for this performance of Saint Saens before a live audience of WGBH members.&lt;br /&gt;
***&lt;br /&gt;
Saint Saens:  Fantaisie in A major for violin and harp, Op. 124&lt;br /&gt;
Ann Hobson Pilot, harp; Lucia Lin, violin&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on March 4th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</description>
			<media:description>Ann Hobson Pilot played the harp with the Boston Symphony Orchestra for almost 40 years, until her retirement in 2008.  She hasn&amp;rsquo;t retired from music, though!  A highly respected chamber musician, she got together with violinist Lucia Lin for this performance of Saint Saens before a live audience of WGBH members.&lt;br /&gt;
***&lt;br /&gt;
Saint Saens:  Fantaisie in A major for violin and harp, Op. 124&lt;br /&gt;
Ann Hobson Pilot, harp; Lucia Lin, violin&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on March 4th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod110304annhobsonpilot.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 15 Apr 2011 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod110304annhobsonpilot.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>harp, violin, Saint Saens, chamber music, fantasy, fantaisie</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Amarcord sings Elgar, Schumann, Steinacker and Mendelssohn</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Amarcord-sings-Elgar-Schumann-Steinacker-and-Mendelssohn-27014</link>
			<description>The male vocal ensemble Amarcord comes from Leipzig, so they have the heritage of Bach, but also of the great German romantics that lived that city - Mendelssohn and Schumann among them.  It&amp;#39;s a treat to hear them sing Elgar as well!&lt;br /&gt;
***&lt;br /&gt;
Elgar:  From the Greek Anthology, Op. 45&lt;br /&gt;
Schumann:  Die Minnes&amp;auml;nger&lt;br /&gt;
Steinacker:  An den Mond&lt;br /&gt;
Mendelssohn:  LIebe und Wein&lt;br /&gt;
&lt;br /&gt;
Amarcord: Holger Krause, bass; Martin Lattke, tenor; Frank Ozimek, baritone; Wolfram Lattke, tenor;  Daniel Knauft, bass.&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on April 4th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical&lt;br /&gt;
email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</description>
			<media:description>The male vocal ensemble Amarcord comes from Leipzig, so they have the heritage of Bach, but also of the great German romantics that lived that city - Mendelssohn and Schumann among them.  It&amp;#39;s a treat to hear them sing Elgar as well!&lt;br /&gt;
***&lt;br /&gt;
Elgar:  From the Greek Anthology, Op. 45&lt;br /&gt;
Schumann:  Die Minnes&amp;auml;nger&lt;br /&gt;
Steinacker:  An den Mond&lt;br /&gt;
Mendelssohn:  LIebe und Wein&lt;br /&gt;
&lt;br /&gt;
Amarcord: Holger Krause, bass; Martin Lattke, tenor; Frank Ozimek, baritone; Wolfram Lattke, tenor;  Daniel Knauft, bass.&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on April 4th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical&lt;br /&gt;
email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod110404amarcord.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 08 Apr 2011 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod110404amarcord.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>a cappella, vocal, male vocal ensemble, vocal quintet, Elgar, Schumann, Mendelssohn, Steinacker</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Gabriel Chodos plays Schumann</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Gabriel-Chodos-plays-Schumann-26704</link>
			<description>Robert Schumann set out to write a tribute to Beethoven.  And he did that - sort of.  There are themes by Beethoven - and the second movement sounds inspired by the great master.  But the fact is, Schumann was in love, with the beautiful and talented Clara Wieck, and he couldn&amp;#39;t help sounding like it in his music.  See what you think.&lt;br /&gt;
***&lt;br /&gt;
Robert Schumann:  Fantasy in C major, Op. 17&lt;br /&gt;
Gabriel Chodos, piano&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on February 1st, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical&lt;br /&gt;
email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</description>
			<media:description>Robert Schumann set out to write a tribute to Beethoven.  And he did that - sort of.  There are themes by Beethoven - and the second movement sounds inspired by the great master.  But the fact is, Schumann was in love, with the beautiful and talented Clara Wieck, and he couldn&amp;#39;t help sounding like it in his music.  See what you think.&lt;br /&gt;
***&lt;br /&gt;
Robert Schumann:  Fantasy in C major, Op. 17&lt;br /&gt;
Gabriel Chodos, piano&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on February 1st, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical&lt;br /&gt;
email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod110201gabrielchodos.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 01 Apr 2011 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod110201gabrielchodos.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Schumann, Fantasy, Gabriel Chodos, piano</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Discovery Ensemble plays Wagner</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Discovery-Ensemble-plays-Wagner-26418</link>
			<description>it&amp;#39;s the best birthday present ever!  Richard Wagner&amp;#39;s wife, Cosima, woke up on her birthday morning in 1870 to the sound of this music wafting up the stairs.  The composer had written his &quot;Idyll&quot; especially for the occasion, and hired an orchestra to come and play it for her in their villa.  Discovery Ensemble re-creates the moment in this performance in our Fraser Performance Studio.&lt;br /&gt;
***&lt;br /&gt;
Wagner:  Siegfried Idyll.&lt;br /&gt;
Discovery Ensemble; Courtney Lewis, conductor.&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on March 18th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</description>
			<media:description>it&amp;#39;s the best birthday present ever!  Richard Wagner&amp;#39;s wife, Cosima, woke up on her birthday morning in 1870 to the sound of this music wafting up the stairs.  The composer had written his &quot;Idyll&quot; especially for the occasion, and hired an orchestra to come and play it for her in their villa.  Discovery Ensemble re-creates the moment in this performance in our Fraser Performance Studio.&lt;br /&gt;
***&lt;br /&gt;
Wagner:  Siegfried Idyll.&lt;br /&gt;
Discovery Ensemble; Courtney Lewis, conductor.&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on March 18th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod110325discoveryensemble.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 25 Mar 2011 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod110325discoveryensemble.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Discovery Ensemble, Courtney Lewis, Wagner, Orchestra, Fraser Performance Studio</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Christina Day Martinson and Martin Pearlman play Biber</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Christina-Day-Martinson-and-Martin-Pearlman-play-Biber-25913</link>
			<description>No, this is not music by Justin Bieber the 21st Century teen idol!  It&amp;#39;s amazing and beautiful violin music by the 17th century violinist and composer Heinrich Ignaz Franz Biber.  Biber wrote 15 of these pieces to go with engravings showing the fifteen Mysteries of the Rosary.  The Canadian violinist, now resident in Boston, Christina Day Martinson played them with harpsichordist Martin Pearlman.&lt;br /&gt;
***&lt;br /&gt;
Biber: from the Mystery Sonatas, Sonata no. 9 (Jesus carries his cross); Sonata no. 10 (The Crucifixion); Sonata no. 11 (The Resurrection); Sonata no. 12 (The Ascension).&lt;br /&gt;
Christina Day Martinson, violin; Martin Pearlman, harpsichord.&lt;br /&gt;
+++&lt;br /&gt;
Recorded in a live broadcast in WGBH&amp;#39;s Fraser Performance Studio on April 6th, 2009.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</description>
			<media:description>No, this is not music by Justin Bieber the 21st Century teen idol!  It&amp;#39;s amazing and beautiful violin music by the 17th century violinist and composer Heinrich Ignaz Franz Biber.  Biber wrote 15 of these pieces to go with engravings showing the fifteen Mysteries of the Rosary.  The Canadian violinist, now resident in Boston, Christina Day Martinson played them with harpsichordist Martin Pearlman.&lt;br /&gt;
***&lt;br /&gt;
Biber: from the Mystery Sonatas, Sonata no. 9 (Jesus carries his cross); Sonata no. 10 (The Crucifixion); Sonata no. 11 (The Resurrection); Sonata no. 12 (The Ascension).&lt;br /&gt;
Christina Day Martinson, violin; Martin Pearlman, harpsichord.&lt;br /&gt;
+++&lt;br /&gt;
Recorded in a live broadcast in WGBH&amp;#39;s Fraser Performance Studio on April 6th, 2009.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod070406martinsonpearlman.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Sat, 12 Mar 2011 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod070406martinsonpearlman.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>violin, harpsichord, Biber, Mystery Sonatas, Rosary Sonatas, scordatura, tuning</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>The Weilerstein Trio plays Dvorak</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/The-Weilerstein-Trio-plays-Dvorak-25397</link>
			<description>What does &quot;Dumky&quot; mean?  And what&amp;#39;s it doing in the title of Dvorak&amp;#39;s Piano trio in E minor?  Well, the Dumka was just one of many Slavic folk styles that Dvorak introduced into classical pieces during his career.  It&amp;#39;s a lament really - a short, melancholy piece in three parts:  slow, fast, and slow.  The amazing thing about Dvorak was his ability to put so much variety and inventiveness into the six &quot;Dumky&quot; in this piece.  The Weilerstein Trio played it in our Studio One back in 2005.&lt;br /&gt;
***&lt;br /&gt;
Dvorak:  &quot;Dumky&amp;#39; Trio in E minor, Op. 90.&lt;br /&gt;
The Weilerstein Trio&lt;br /&gt;
+++&lt;br /&gt;
Donald Weilerstein, violin; Vivian Hornik Weilerstein, piano; Alisa Weilerstein, cello&lt;br /&gt;
More info:  http://weilersteintrio.com/&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on March 10th, 2005.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</description>
			<media:description>What does &quot;Dumky&quot; mean?  And what&amp;#39;s it doing in the title of Dvorak&amp;#39;s Piano trio in E minor?  Well, the Dumka was just one of many Slavic folk styles that Dvorak introduced into classical pieces during his career.  It&amp;#39;s a lament really - a short, melancholy piece in three parts:  slow, fast, and slow.  The amazing thing about Dvorak was his ability to put so much variety and inventiveness into the six &quot;Dumky&quot; in this piece.  The Weilerstein Trio played it in our Studio One back in 2005.&lt;br /&gt;
***&lt;br /&gt;
Dvorak:  &quot;Dumky&amp;#39; Trio in E minor, Op. 90.&lt;br /&gt;
The Weilerstein Trio&lt;br /&gt;
+++&lt;br /&gt;
Donald Weilerstein, violin; Vivian Hornik Weilerstein, piano; Alisa Weilerstein, cello&lt;br /&gt;
More info:  http://weilersteintrio.com/&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on March 10th, 2005.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod050310weilersteintrio.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 25 Feb 2011 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod050310weilersteintrio.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>piano trio, Dvorak, Dumky, chamber music, piano, violin, cello, Weilerstein</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>New England Conservatory Chamber Orchestra plays Arensky</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/New-England-Conservatory-Chamber-Orchestra-plays-Arensky-25170</link>
			<description>The New England Conservatory Chamber Orchestra, NEC&amp;#39;s conductorless orchestra, was created in 2000 by double bassist Donald Palma, a founding member of Orpheus Chamber Orchestra.  It gives young players a chance to work together in a completely new way, each player taking full responsibility for the sound of the group.  They visited the studio this past week with music by Arensky.&lt;br /&gt;
***&lt;br /&gt;
Arensky:  Variations on a theme by Tchaikovsky, Op. 35a&lt;br /&gt;
NEC Chamber Orchestra&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on February 14th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</description>
			<media:description>The New England Conservatory Chamber Orchestra, NEC&amp;#39;s conductorless orchestra, was created in 2000 by double bassist Donald Palma, a founding member of Orpheus Chamber Orchestra.  It gives young players a chance to work together in a completely new way, each player taking full responsibility for the sound of the group.  They visited the studio this past week with music by Arensky.&lt;br /&gt;
***&lt;br /&gt;
Arensky:  Variations on a theme by Tchaikovsky, Op. 35a&lt;br /&gt;
NEC Chamber Orchestra&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on February 14th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod110214necchamberorchestra.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 18 Feb 2011 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod110214necchamberorchestra.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Arensky, Theme of Tchaikovsky, NEC, NEC Chamber Orchestra, Chamber Orchestra</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Antonio Pompa-Baldi plays Schubert and Martucci</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Antonio-Pompa-Baldi-plays-Schubert-and-Martucci-24943</link>
			<description>Piano virtuoso Antonio Pompa-Baldi visited the Fraser Performance Studio this week.  Born in Italy, he&amp;#39;s an active teacher in Cleveland now, and travels throughout the world, performing and teaching.  Antonio Pompa-Baldi plays an Impromptu by Schubert and music by the little-known Italian composer Giuseppe Martucci.&lt;br /&gt;
***&lt;br /&gt;
Schubert: Impromptu, Op. 142 No. 3&lt;br /&gt;
Martucci:  Fantasia, Op. 51&lt;br /&gt;
Antonio Pompa-Baldi, piano&lt;br /&gt;
+++&lt;br /&gt;
More info:  http://www.pompa-baldi.com/&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on February 7th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</description>
			<media:description>Piano virtuoso Antonio Pompa-Baldi visited the Fraser Performance Studio this week.  Born in Italy, he&amp;#39;s an active teacher in Cleveland now, and travels throughout the world, performing and teaching.  Antonio Pompa-Baldi plays an Impromptu by Schubert and music by the little-known Italian composer Giuseppe Martucci.&lt;br /&gt;
***&lt;br /&gt;
Schubert: Impromptu, Op. 142 No. 3&lt;br /&gt;
Martucci:  Fantasia, Op. 51&lt;br /&gt;
Antonio Pompa-Baldi, piano&lt;br /&gt;
+++&lt;br /&gt;
More info:  http://www.pompa-baldi.com/&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on February 7th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod110207antoniopompabaldi.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Sat, 12 Feb 2011 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod110207antoniopompabaldi.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>piano, Schubert, Martucci, Impromptu, Fantasia, Antonio Pompa-Baldi</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Alisa Weilerstein and Inon Barnatan play Chopin</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Alisa-Weilerstein-and-Inon-Barnatan-play-Chopin-24701</link>
			<description>Chopin is best known for his brilliant, inventive and emotional compositions for solo piano.  He rarely attempted chamber music, and created only one piece for two instruments - this Sonata for piano and cello.  Some think that when wrote this he was contemplating his recent breakup with Aurore Dudevant, the novelist who wrote under the pen name of George Sand.  The split obviously caused him a great deal of pain, because he died soon after. In any case, what we&amp;#39;re left with is a deeply expressive and beautiful piece of chamber music.&lt;br /&gt;
***&lt;br /&gt;
Chopin:  Sonata for Piano and Cello in G minor, Op. 65&lt;br /&gt;
Alisa Weilerstein, cello; Inon Barnatan, piano&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on May 1st, 2008.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</description>
			<media:description>Chopin is best known for his brilliant, inventive and emotional compositions for solo piano.  He rarely attempted chamber music, and created only one piece for two instruments - this Sonata for piano and cello.  Some think that when wrote this he was contemplating his recent breakup with Aurore Dudevant, the novelist who wrote under the pen name of George Sand.  The split obviously caused him a great deal of pain, because he died soon after. In any case, what we&amp;#39;re left with is a deeply expressive and beautiful piece of chamber music.&lt;br /&gt;
***&lt;br /&gt;
Chopin:  Sonata for Piano and Cello in G minor, Op. 65&lt;br /&gt;
Alisa Weilerstein, cello; Inon Barnatan, piano&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on May 1st, 2008.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod080501weilerstein.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Sat, 05 Feb 2011 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod080501weilerstein.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Chopin, piano, cello, sonata, Alisa Weilerstein, Inon Barnatan, chamber music, romantic</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>The Harlem Quartet plays Beethoven</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/The-Harlem-Quartet-plays-Beethoven-24259</link>
			<description>&lt;span style=&quot;font-size: 12px;&quot;&gt;&lt;span style=&quot;font-family: verdana,geneva,sans-serif;&quot;&gt;&lt;span id=&quot;internal-source-marker_0.5814624777633036&quot; style=&quot;color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;T&lt;/span&gt;&lt;span style=&quot;color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;he Harlem Quartet, praised for its &amp;ldquo;panache&amp;rdquo; by the New York Times, is now the resident ensemble in the New England Conservatory&amp;rsquo;s Professional String Quartet program.  Its mission to advance diversity in classical music and engage young audiences is enhanced by exciting and inspirational performances wherever they play.  Here they are with the first Quartet Beethoven ever wrote, his Opus 18 No. 3.&lt;br /&gt;
***&lt;br /&gt;
Beethoven:  String Quartet in D major, Op. 18 No. 3&lt;br /&gt;
Harlem Quartet&lt;br /&gt;
+++&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;Ilmar Gavilan, violin; Melissa White, violin; Juan-Miguel Hernandez, viola; Paul Wiancko, cello&lt;br /&gt;
More info:  &lt;/span&gt;http://harlemquartet.com/&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on January 18th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</description>
			<media:description>&lt;span style=&quot;font-size: 12px;&quot;&gt;&lt;span style=&quot;font-family: verdana,geneva,sans-serif;&quot;&gt;&lt;span id=&quot;internal-source-marker_0.5814624777633036&quot; style=&quot;color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;T&lt;/span&gt;&lt;span style=&quot;color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;he Harlem Quartet, praised for its &amp;ldquo;panache&amp;rdquo; by the New York Times, is now the resident ensemble in the New England Conservatory&amp;rsquo;s Professional String Quartet program.  Its mission to advance diversity in classical music and engage young audiences is enhanced by exciting and inspirational performances wherever they play.  Here they are with the first Quartet Beethoven ever wrote, his Opus 18 No. 3.&lt;br /&gt;
***&lt;br /&gt;
Beethoven:  String Quartet in D major, Op. 18 No. 3&lt;br /&gt;
Harlem Quartet&lt;br /&gt;
+++&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;Ilmar Gavilan, violin; Melissa White, violin; Juan-Miguel Hernandez, viola; Paul Wiancko, cello&lt;br /&gt;
More info:  &lt;/span&gt;http://harlemquartet.com/&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on January 18th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod110118harlemstringquartet.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Mon, 24 Jan 2011 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod110118harlemstringquartet.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Beethoven, Harlem Quartet, Harlem String Quartet, Sphinx, chamber music</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Kim Kashkashian and friends play Bach</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Kim-Kashkashian-and-friends-play-Bach-23838</link>
			<description>Kim Kashkashian and her musical friends were musing one day about the state of the world and what practical things they might be able to do as musicians, to help those in our own community who are most in need.  And that&amp;#39;s how the idea of &quot;Music for Food&quot; was born, with proceeds from concerts going to the Greater Boston Food Bank.  Concerts take place each month at Emmanuel Church in Boston.  Here are a couple of Trio Sonatas by Bach, originally for organ, played by Kim and her colleagues in the Fraser Performance Studio.&lt;br /&gt;
***&lt;br /&gt;
Bach, J.S.: Trio Sonata in C major, BWV.529; Trio Sonata in G major, BWV.530&lt;br /&gt;
Kim Kashkashian, viola; Robin Scott, violin; Tom Novak, bassoon&lt;br /&gt;
+++&lt;br /&gt;
More info at http://www.wgbh.org/articles/Music-for-Food-for-Music-1236&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on January 5th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</description>
			<media:description>Kim Kashkashian and her musical friends were musing one day about the state of the world and what practical things they might be able to do as musicians, to help those in our own community who are most in need.  And that&amp;#39;s how the idea of &quot;Music for Food&quot; was born, with proceeds from concerts going to the Greater Boston Food Bank.  Concerts take place each month at Emmanuel Church in Boston.  Here are a couple of Trio Sonatas by Bach, originally for organ, played by Kim and her colleagues in the Fraser Performance Studio.&lt;br /&gt;
***&lt;br /&gt;
Bach, J.S.: Trio Sonata in C major, BWV.529; Trio Sonata in G major, BWV.530&lt;br /&gt;
Kim Kashkashian, viola; Robin Scott, violin; Tom Novak, bassoon&lt;br /&gt;
+++&lt;br /&gt;
More info at http://www.wgbh.org/articles/Music-for-Food-for-Music-1236&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on January 5th, 2011.&lt;br /&gt;
&amp;copy;2011 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod110105kashkashianetal.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Sat, 15 Jan 2011 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod110105kashkashianetal.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Bach, Trio Sonata, Kim Kashkashian, Music for Food</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Lionheart sings medieval music for the season</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Lionheart-sings-medieval-music-for-the-season-23260</link>
			<description>Lionheart recreates the sounds of medieval England at Christmastide, with works by anonymous composers.  From a live-to-air performance.&lt;br /&gt;
***&lt;br /&gt;
Anonymous: Nowell, nowell; Hayl Mary, ful of grace; Venter Tuus; As I outrode this endres night; Hic est discipulus; Worcept we this holy day; Lully lulla...o sisters too; Nowel, nowel...owt of your slepe aryse.&lt;br /&gt;
Lionheart: John Olund; Daniel Clark Smith; Lawrence Lipnik; Jefrey Johnson; Richard Porterfield; Kurt Owen-Richard.&lt;br /&gt;
+++&lt;br /&gt;
More information: http://www.chantboy.com/lionheart/&lt;br /&gt;
&lt;br /&gt;
Recorded in a live broadcast at WGBH&amp;#39;s Studio One on December 16th, 1998.&lt;br /&gt;
&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;</description>
			<media:description>Lionheart recreates the sounds of medieval England at Christmastide, with works by anonymous composers.  From a live-to-air performance.&lt;br /&gt;
***&lt;br /&gt;
Anonymous: Nowell, nowell; Hayl Mary, ful of grace; Venter Tuus; As I outrode this endres night; Hic est discipulus; Worcept we this holy day; Lully lulla...o sisters too; Nowel, nowel...owt of your slepe aryse.&lt;br /&gt;
Lionheart: John Olund; Daniel Clark Smith; Lawrence Lipnik; Jefrey Johnson; Richard Porterfield; Kurt Owen-Richard.&lt;br /&gt;
+++&lt;br /&gt;
More information: http://www.chantboy.com/lionheart/&lt;br /&gt;
&lt;br /&gt;
Recorded in a live broadcast at WGBH&amp;#39;s Studio One on December 16th, 1998.&lt;br /&gt;
&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod981216lionheart.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Sat, 01 Jan 2011 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod981216lionheart.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Medieval, chant, polyphony, motet, carol, Lionheart, vocal ensemble, choir, choral, vocal</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Marina Lomazov plays Chopin</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Marina-Lomazov-plays-Chopin-22632</link>
			<description>Marina Lomazov was called &quot;a mesmerizing risk taker&quot; by the Cleveland Plain Dealer, and that&amp;#39;s exactly the quality you&amp;#39;ll hear in this performance of Chopin&amp;#39;s &quot;Andante Spianato and Grande Polonaise.&quot;&lt;br /&gt;
***&lt;br /&gt;
Chopin:  Andante Spianato and Grande Polonaise, Op. 22&lt;br /&gt;
Marina Lomazov, piano&lt;br /&gt;
+++&lt;br /&gt;
More information at http://www.marinalomazov.com/&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on February 4th, 2010.&lt;br /&gt;
&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</description>
			<media:description>Marina Lomazov was called &quot;a mesmerizing risk taker&quot; by the Cleveland Plain Dealer, and that&amp;#39;s exactly the quality you&amp;#39;ll hear in this performance of Chopin&amp;#39;s &quot;Andante Spianato and Grande Polonaise.&quot;&lt;br /&gt;
***&lt;br /&gt;
Chopin:  Andante Spianato and Grande Polonaise, Op. 22&lt;br /&gt;
Marina Lomazov, piano&lt;br /&gt;
+++&lt;br /&gt;
More information at http://www.marinalomazov.com/&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on February 4th, 2010.&lt;br /&gt;
&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod100204marinalomazov.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 10 Dec 2010 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod100204marinalomazov.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>piano, Chopin, Marina Lomazov</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Stephen Marchionda plays Albeniz and Scarlatti</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Stephen-Marchionda-plays-Albeniz-and-Scarlatti-22428</link>
			<description>American Guitarist Stephen Marchionda lives in Spain, but he stopped in at our studio on his way through Boston this week.  There&amp;#39;s a lot going on in Stephen&amp;#39;s life:  he&amp;#39;s just released a new CD of music by Scarlatti on the MDG label, and he&amp;#39;ll be featured this month in a concert celebrating the life of the 21st century English composer Nicholas Maw.&lt;br /&gt;
***&lt;br /&gt;
Albeniz:  Mallorca&lt;br /&gt;
Scarlatti:  Sonata in D minor, K. 213&lt;br /&gt;
Stephen Marchionda, guitar&lt;br /&gt;
+++&lt;br /&gt;
More information at http://www.stephenmarchionda.com/.&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on November 29th, 2010.&lt;br /&gt;
&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</description>
			<media:description>American Guitarist Stephen Marchionda lives in Spain, but he stopped in at our studio on his way through Boston this week.  There&amp;#39;s a lot going on in Stephen&amp;#39;s life:  he&amp;#39;s just released a new CD of music by Scarlatti on the MDG label, and he&amp;#39;ll be featured this month in a concert celebrating the life of the 21st century English composer Nicholas Maw.&lt;br /&gt;
***&lt;br /&gt;
Albeniz:  Mallorca&lt;br /&gt;
Scarlatti:  Sonata in D minor, K. 213&lt;br /&gt;
Stephen Marchionda, guitar&lt;br /&gt;
+++&lt;br /&gt;
More information at http://www.stephenmarchionda.com/.&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on November 29th, 2010.&lt;br /&gt;
&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod101129marchionda.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 03 Dec 2010 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod101129marchionda.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords></itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Alexander Kobrin plays Schumann</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Alexander-Kobrin-plays-Schumann-22063</link>
			<description>Robert Schumann must have been thinking of his beloved Clara as he composed these Fantasy Pieces, Op.12.  We hear three of them, performed by Van Cliburn Competition winner Alexander Kobrin.&lt;br /&gt;

	***&lt;br /&gt;
	Schumann, Robert:  from Fantasy Pieces (&amp;ldquo;Fantasiest&amp;uuml;cke), Op. 12:&lt;br /&gt;
	No. 3 &amp;ldquo;Warum?&amp;rdquo;(Why?);&lt;br /&gt;
	No. 5 &amp;ldquo;In der Nacht&amp;rdquo;  (Night);      &lt;br /&gt;
	No. 7 &amp;ldquo;Traumes Wirren&amp;rdquo; (Dream visions).&lt;br /&gt;
	Alexander Kobrin, piano

	+++

	Recorded at WGBH&amp;#39;s Fraser Performance Studio on March 8th, 2010.&lt;br /&gt;
	&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
	http://www.wgbh.org/classical email: classical@wgbh.org</description>
			<media:description>Robert Schumann must have been thinking of his beloved Clara as he composed these Fantasy Pieces, Op.12.  We hear three of them, performed by Van Cliburn Competition winner Alexander Kobrin.&lt;br /&gt;

	***&lt;br /&gt;
	Schumann, Robert:  from Fantasy Pieces (&amp;ldquo;Fantasiest&amp;uuml;cke), Op. 12:&lt;br /&gt;
	No. 3 &amp;ldquo;Warum?&amp;rdquo;(Why?);&lt;br /&gt;
	No. 5 &amp;ldquo;In der Nacht&amp;rdquo;  (Night);      &lt;br /&gt;
	No. 7 &amp;ldquo;Traumes Wirren&amp;rdquo; (Dream visions).&lt;br /&gt;
	Alexander Kobrin, piano

	+++

	Recorded at WGBH&amp;#39;s Fraser Performance Studio on March 8th, 2010.&lt;br /&gt;
	&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
	http://www.wgbh.org/classical email: classical@wgbh.org</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod100308alexanderkobrin3.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 19 Nov 2010 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod100308alexanderkobrin3.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Robert Schumann, Alexander Kobrin, piano, Fantasy Pieces</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Yevgeny Kutik and Timothy Bozarth play Franck</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Yevgeny-Kutik-and-Timothy-Bozarth-play-Franck-21791</link>
			<description>Violinist Yevgeny Kutik is at the beginning of an illustrious career, having recently graduated with his master&amp;#39;s degree from the New England Conservatory. He has already received accolades for his appearance this year with the WDR Radio Symphony Orchestra of Cologne and he&amp;#39;ll make his New York recital debut next week. He performs Franck with pianist Tim Bozarth&lt;br /&gt;
***&lt;br /&gt;
Franck: Sonata in A major for violin and piano&lt;br /&gt;
Yevgeny Kutik, violin; Timothy Bozarth, piano&lt;br /&gt;
+++&lt;br /&gt;
More info: http://www.yevgenykutik.com/&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on November 1st, 2010.&lt;br /&gt;
&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;</description>
			<media:description>Violinist Yevgeny Kutik is at the beginning of an illustrious career, having recently graduated with his master&amp;#39;s degree from the New England Conservatory. He has already received accolades for his appearance this year with the WDR Radio Symphony Orchestra of Cologne and he&amp;#39;ll make his New York recital debut next week. He performs Franck with pianist Tim Bozarth&lt;br /&gt;
***&lt;br /&gt;
Franck: Sonata in A major for violin and piano&lt;br /&gt;
Yevgeny Kutik, violin; Timothy Bozarth, piano&lt;br /&gt;
+++&lt;br /&gt;
More info: http://www.yevgenykutik.com/&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on November 1st, 2010.&lt;br /&gt;
&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod101101YevgenyKutik.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 12 Nov 2010 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod101101YevgenyKutik.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Cesar Franck, violin, sonata, Yevgeny Kutik, chamber music</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>James Campbell and Marc-Andr&#xe9; Hamelin play Brahms</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/James-Campbell-and-Marc-Andr-Hamelin-play-Brahms-21517</link>
			<description>In the early 1880&amp;#39;s Brahms decided he would never compose music again.  But when he heard clarinetist Richard Meulfeld, he couldn&amp;#39;t resist taking up his pen for a few more pieces, written especially for this consumate artist.  One result was the Clarinet Sonata in F minor.&lt;br /&gt;
***&lt;br /&gt;
Brahms:  Sonata for Clarinet and Piano in F minor, Op. 120 No. 1&lt;br /&gt;
James Campbell, clarinet; Marc-Andr&amp;eacute; Hamelin, piano&lt;br /&gt;
+++&lt;br /&gt;
More info:  http://www.gamisim.com/artist/jamescampbell/ and http://marcandrehamelin.com/&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on October 20th, 2010.&lt;br /&gt;
&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;</description>
			<media:description>In the early 1880&amp;#39;s Brahms decided he would never compose music again.  But when he heard clarinetist Richard Meulfeld, he couldn&amp;#39;t resist taking up his pen for a few more pieces, written especially for this consumate artist.  One result was the Clarinet Sonata in F minor.&lt;br /&gt;
***&lt;br /&gt;
Brahms:  Sonata for Clarinet and Piano in F minor, Op. 120 No. 1&lt;br /&gt;
James Campbell, clarinet; Marc-Andr&amp;eacute; Hamelin, piano&lt;br /&gt;
+++&lt;br /&gt;
More info:  http://www.gamisim.com/artist/jamescampbell/ and http://marcandrehamelin.com/&lt;br /&gt;
&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on October 20th, 2010.&lt;br /&gt;
&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod101020campbellhamelin.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 05 Nov 2010 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod101020campbellhamelin.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>clarinet, piano, Brahms, Marc-Andr&#xe9; Hamelin, James Campbell</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>James Campbell introduces the Brahms Clarinet Sonata in F minor</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/James-Campbell-introduces-the-Brahms-Clarinet-Sonata-in-F-minor-21516</link>
			<description>Clarinetist James Campbell and pianist Marc-Andr&amp;eacute; Hamelin in conversation with 99.5 All-Classical host Cathy Fuller, about the Sonata for Clarinet and Piano in F minor, Op. 120 No. 1, by Johannes Brahms.&lt;br /&gt;
***&lt;br /&gt;
Interview&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on October 20th, 2010.&lt;br /&gt;
&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;</description>
			<media:description>Clarinetist James Campbell and pianist Marc-Andr&amp;eacute; Hamelin in conversation with 99.5 All-Classical host Cathy Fuller, about the Sonata for Clarinet and Piano in F minor, Op. 120 No. 1, by Johannes Brahms.&lt;br /&gt;
***&lt;br /&gt;
Interview&lt;br /&gt;
+++&lt;br /&gt;
Recorded at WGBH&amp;#39;s Fraser Performance Studio on October 20th, 2010.&lt;br /&gt;
&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
http://www.wgbh.org/classical email: classical@wgbh.org&lt;br /&gt;
&lt;br /&gt;</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod101020campbellhamelinivw.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 05 Nov 2010 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod101020campbellhamelinivw.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>clarinet, piano, Brahms, Marc-Andr&#xe9; Hamelin, James Campbell</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Boston Chamber Music Society plays Saint-Saens</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Boston-Chamber-Music-Society-plays-Saint-Saens-21024</link>
			<description>Camille Saint-Saens was a representative of some of the newest trends in the musical world of Paris in the 19th century.  He introduced the music of Bach and Handel, and played pieces by Robert Schumann, unheard-of at the time, on his recitals.  The Boston Chamber Music Society plays his Piano Quartet in B-flat.

	***

	Saint-Saens:  Piano Quartet in B-flat major, Op. 41

	The Boston Chamber Music Society

	+++

	Harumi Rhodes, violin; Roger Tapping, viola; Michael Reynolds, cello; Randall Hodgkinson, piano

	More info:  http://bostonchambermusic.org/

	Recorded at WGBH&amp;#39;s Fraser Performance Studio on October 14th, 2010.&lt;br /&gt;
	&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
	http://www.wgbh.org/classical email: classical@wgbh.org</description>
			<media:description>Camille Saint-Saens was a representative of some of the newest trends in the musical world of Paris in the 19th century.  He introduced the music of Bach and Handel, and played pieces by Robert Schumann, unheard-of at the time, on his recitals.  The Boston Chamber Music Society plays his Piano Quartet in B-flat.

	***

	Saint-Saens:  Piano Quartet in B-flat major, Op. 41

	The Boston Chamber Music Society

	+++

	Harumi Rhodes, violin; Roger Tapping, viola; Michael Reynolds, cello; Randall Hodgkinson, piano

	More info:  http://bostonchambermusic.org/

	Recorded at WGBH&amp;#39;s Fraser Performance Studio on October 14th, 2010.&lt;br /&gt;
	&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
	http://www.wgbh.org/classical email: classical@wgbh.org</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod101014bostonchambermusicsociety.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 22 Oct 2010 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod101014bostonchambermusicsociety.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Saint-Saens, Piano Quartet, Boston Chamber Music Society</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Musica Pacifica plays 17th Century Music from Britain</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Musica-Pacifica-plays-17th-Century-Music-from-Britain-20176</link>
			<description>Musica Pacifica helps us imagine what music-making was like in Baroque-era England, with lively pieces that sound a lot like folk music!

	***

	Anon/Johnson:  A Jacobean Masque;

	Locke:  Suite No. 4 in C major, from Broken Consort, Part 1;

	Purcell:  Three Parts Upon a Ground

	Musica Pacifica

	+++

	Musica Pacifica is:  Judith Linsenberg, recorder; Elizabeth Blumenstock and Janet Strauss, violins;&lt;br /&gt;
	David Morris, viola da gamba; and Charles Sherman, harpsichord

	 

	Recorded in a live broadcast in WGBH&amp;#39;s Studio One, on January 23, 2007.&lt;br /&gt;
	&lt;br /&gt;
	&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
	http://www.wgbh.org/classical email: classical@wgbh.org</description>
			<media:description>Musica Pacifica helps us imagine what music-making was like in Baroque-era England, with lively pieces that sound a lot like folk music!

	***

	Anon/Johnson:  A Jacobean Masque;

	Locke:  Suite No. 4 in C major, from Broken Consort, Part 1;

	Purcell:  Three Parts Upon a Ground

	Musica Pacifica

	+++

	Musica Pacifica is:  Judith Linsenberg, recorder; Elizabeth Blumenstock and Janet Strauss, violins;&lt;br /&gt;
	David Morris, viola da gamba; and Charles Sherman, harpsichord

	 

	Recorded in a live broadcast in WGBH&amp;#39;s Studio One, on January 23, 2007.&lt;br /&gt;
	&lt;br /&gt;
	&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
	http://www.wgbh.org/classical email: classical@wgbh.org</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod070123musicapacifica2.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 01 Oct 2010 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod070123musicapacifica2.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Early Music, Baroque, Purcell, Musica Pacifica, Locke</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Ya-Fei Chuang plays Chopin</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Ya-Fei-Chuang-plays-Chopin-19630</link>
			<description>Franz Liszt called Chopin&amp;#39;s Preludes &amp;ldquo;...poetic preludes, analogous to those of a great contemporary poet, who cradles the soul in golden dreams...&quot;  Ya-Fei Chuang is known in North America, Europe and Asia as a pianist of stunning virtuosity and communicative power.  She has performed at the Berlin Philharmonie, the Gewandhaus Leipzig, National Philharmonic Hall Warsaw and at Symphony Hall and Jordan Hall in Boston.

	***

	Chopin:  24 Preludes, Op. 28

	Ya-Fei Chuang, piano

	+++

	More information:  http://www.necmusic.edu/faculty/ya-fei-chuang?lid=8&amp;amp;sid=2

	Recorded at WGBH&amp;#39;s Fraser Performance Studio on April 5th, 2010.&lt;br /&gt;
	&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
	http://www.wgbh.org/classical email: classical@wgbh.org</description>
			<media:description>Franz Liszt called Chopin&amp;#39;s Preludes &amp;ldquo;...poetic preludes, analogous to those of a great contemporary poet, who cradles the soul in golden dreams...&quot;  Ya-Fei Chuang is known in North America, Europe and Asia as a pianist of stunning virtuosity and communicative power.  She has performed at the Berlin Philharmonie, the Gewandhaus Leipzig, National Philharmonic Hall Warsaw and at Symphony Hall and Jordan Hall in Boston.

	***

	Chopin:  24 Preludes, Op. 28

	Ya-Fei Chuang, piano

	+++

	More information:  http://www.necmusic.edu/faculty/ya-fei-chuang?lid=8&amp;amp;sid=2

	Recorded at WGBH&amp;#39;s Fraser Performance Studio on April 5th, 2010.&lt;br /&gt;
	&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
	http://www.wgbh.org/classical email: classical@wgbh.org</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod100405YaFeiChuang.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 17 Sep 2010 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod100405YaFeiChuang.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Frederic Chopin, Preludes, Ya-Fei Chuang, piano, Majorca</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Musicians of the Old Post Road play Telemann</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Musicians-of-the-Old-Post-Road-play-Telemann-19120</link>
			<description>The Musicians of the Old Post Road present early music in historic settings along the Old Post Road, which was the main road linking Boston and New York in the 18th century.  So it&amp;#39;s entirely appropriate that we hear them play music from possibly the most famous composer in Europe in the 18th century, Georg Phillip Telemann.

	***

	Telemann:  Paris Quartet No. 6 in E minor

	Musicians of the Old Post Road

	+++

	Suzanne Stumpf, traverso; Sarah Darling, violin; Daniel Ryan, cello; Michael Bahmann, harpsichord

	 

	Recorded at WGBH&amp;#39;s Fraser Performance Studio on May 4th, 2010.&lt;br /&gt;
	&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
	http://www.wgbh.org/classical email: classical@wgbh.org</description>
			<media:description>The Musicians of the Old Post Road present early music in historic settings along the Old Post Road, which was the main road linking Boston and New York in the 18th century.  So it&amp;#39;s entirely appropriate that we hear them play music from possibly the most famous composer in Europe in the 18th century, Georg Phillip Telemann.

	***

	Telemann:  Paris Quartet No. 6 in E minor

	Musicians of the Old Post Road

	+++

	Suzanne Stumpf, traverso; Sarah Darling, violin; Daniel Ryan, cello; Michael Bahmann, harpsichord

	 

	Recorded at WGBH&amp;#39;s Fraser Performance Studio on May 4th, 2010.&lt;br /&gt;
	&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
	http://www.wgbh.org/classical email: classical@wgbh.org</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod100504musiciansoftheoldpostroad.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 03 Sep 2010 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod100504musiciansoftheoldpostroad.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Telemann, Musicians of the Old Post Road, Paris Quartets</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Alexander Kobrin plays Haydn</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Alexander-Kobrin-plays-Haydn-18906</link>
			<description>The Auenbrugger sisters, 18th century patrons of the arts in Vienna, must have been amazing keyboard players, because it takes quite a bit of technique to play this piece Haydn composed for them in 1780.  We hear it played by the Russian virtuoso Alexander Kobrin, in our Fraser Performance Studio.

	***

	Haydn: Sonata No. 37 in D major, Hob.XVI:
&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
&lt;o:DocumentProperties&gt;
&lt;o:Template&gt;Normal&lt;/o:Template&gt;
&lt;o:Revision&gt;0&lt;/o:Revision&gt;
&lt;o:TotalTime&gt;0&lt;/o:TotalTime&gt;
&lt;o:Pages&gt;1&lt;/o:Pages&gt;
&lt;o:Words&gt;5&lt;/o:Words&gt;
&lt;o:Characters&gt;32&lt;/o:Characters&gt;
&lt;o:Company&gt;WGBH Educational Foundation&lt;/o:Company&gt;
&lt;o:Lines&gt;1&lt;/o:Lines&gt;
&lt;o:Paragraphs&gt;1&lt;/o:Paragraphs&gt;
&lt;o:CharactersWithSpaces&gt;39&lt;/o:CharactersWithSpaces&gt;
&lt;o:Version&gt;11.1287&lt;/o:Version&gt;
&lt;/o:DocumentProperties&gt;
&lt;o:OfficeDocumentSettings&gt;
&lt;o:AllowPNG /&gt;
&lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
&lt;w:WordDocument&gt;
&lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
&lt;w:DoNotShowRevisions /&gt;
&lt;w:DoNotPrintRevisions /&gt;
&lt;w:DisplayHorizontalDrawingGridEvery&gt;0&lt;/w:DisplayHorizontalDrawingGridEvery&gt;
&lt;w:DisplayVerticalDrawingGridEvery&gt;0&lt;/w:DisplayVerticalDrawingGridEvery&gt;
&lt;w:UseMarginsForDrawingGridOrigin /&gt;
&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;style type=&quot;text/css&quot;&gt;
&lt;!--{cke_protected}{C}%3C!%2D%2D%0A%20%2F*%20Font%20Definitions%20*%2F%0A%40font-face%0A%09%7Bfont-family%3A%22Times%20New%20Roman%22%3B%0A%09panose-1%3A0%202%202%206%203%205%204%205%202%203%3B%0A%09mso-font-charset%3A0%3B%0A%09mso-generic-font-family%3Aauto%3B%0A%09mso-font-pitch%3Avariable%3B%0A%09mso-font-signature%3A50331648%200%200%200%201%200%3B%7D%0A%20%2F*%20Style%20Definitions%20*%2F%0Ap.MsoNormal%2C%20li.MsoNormal%2C%20div.MsoNormal%0A%09%7Bmso-style-parent%3A%22%22%3B%0A%09margin%3A0in%3B%0A%09margin-bottom%3A.0001pt%3B%0A%09mso-pagination%3Awidow-orphan%3B%0A%09font-size%3A12.0pt%3B%0A%09font-family%3ATimes%3B%7D%0Atable.MsoNormalTable%0A%09%7Bmso-style-parent%3A%22%22%3B%0A%09font-size%3A10.0pt%3B%0A%09font-family%3A%22Times%20New%20Roman%22%3B%7D%0A%40page%20Section1%0A%09%7Bsize%3A8.5in%2011.0in%3B%0A%09margin%3A1.0in%201.25in%201.0in%201.25in%3B%0A%09mso-header-margin%3A.5in%3B%0A%09mso-footer-margin%3A.5in%3B%0A%09mso-paper-source%3A0%3B%7D%0Adiv.Section1%0A%09%7Bpage%3ASection1%3B%7D%0A%2D%2D%3E--&gt;&lt;/style&gt;
&lt;!--StartFragment--&gt;37

	Alexander Kobrin, piano

	+++

	Recorded at WGBH&amp;#39;s Fraser Performance Studio on March 8th, 2010.&lt;br /&gt;
	&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
	http://www.wgbh.org/classical email: classical@wgbh.org</description>
			<media:description>The Auenbrugger sisters, 18th century patrons of the arts in Vienna, must have been amazing keyboard players, because it takes quite a bit of technique to play this piece Haydn composed for them in 1780.  We hear it played by the Russian virtuoso Alexander Kobrin, in our Fraser Performance Studio.

	***

	Haydn: Sonata No. 37 in D major, Hob.XVI:
&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
&lt;o:DocumentProperties&gt;
&lt;o:Template&gt;Normal&lt;/o:Template&gt;
&lt;o:Revision&gt;0&lt;/o:Revision&gt;
&lt;o:TotalTime&gt;0&lt;/o:TotalTime&gt;
&lt;o:Pages&gt;1&lt;/o:Pages&gt;
&lt;o:Words&gt;5&lt;/o:Words&gt;
&lt;o:Characters&gt;32&lt;/o:Characters&gt;
&lt;o:Company&gt;WGBH Educational Foundation&lt;/o:Company&gt;
&lt;o:Lines&gt;1&lt;/o:Lines&gt;
&lt;o:Paragraphs&gt;1&lt;/o:Paragraphs&gt;
&lt;o:CharactersWithSpaces&gt;39&lt;/o:CharactersWithSpaces&gt;
&lt;o:Version&gt;11.1287&lt;/o:Version&gt;
&lt;/o:DocumentProperties&gt;
&lt;o:OfficeDocumentSettings&gt;
&lt;o:AllowPNG /&gt;
&lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
&lt;w:WordDocument&gt;
&lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
&lt;w:DoNotShowRevisions /&gt;
&lt;w:DoNotPrintRevisions /&gt;
&lt;w:DisplayHorizontalDrawingGridEvery&gt;0&lt;/w:DisplayHorizontalDrawingGridEvery&gt;
&lt;w:DisplayVerticalDrawingGridEvery&gt;0&lt;/w:DisplayVerticalDrawingGridEvery&gt;
&lt;w:UseMarginsForDrawingGridOrigin /&gt;
&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;style type=&quot;text/css&quot;&gt;
&lt;!--{cke_protected}{C}%3C!%2D%2D%0A%20%2F*%20Font%20Definitions%20*%2F%0A%40font-face%0A%09%7Bfont-family%3A%22Times%20New%20Roman%22%3B%0A%09panose-1%3A0%202%202%206%203%205%204%205%202%203%3B%0A%09mso-font-charset%3A0%3B%0A%09mso-generic-font-family%3Aauto%3B%0A%09mso-font-pitch%3Avariable%3B%0A%09mso-font-signature%3A50331648%200%200%200%201%200%3B%7D%0A%20%2F*%20Style%20Definitions%20*%2F%0Ap.MsoNormal%2C%20li.MsoNormal%2C%20div.MsoNormal%0A%09%7Bmso-style-parent%3A%22%22%3B%0A%09margin%3A0in%3B%0A%09margin-bottom%3A.0001pt%3B%0A%09mso-pagination%3Awidow-orphan%3B%0A%09font-size%3A12.0pt%3B%0A%09font-family%3ATimes%3B%7D%0Atable.MsoNormalTable%0A%09%7Bmso-style-parent%3A%22%22%3B%0A%09font-size%3A10.0pt%3B%0A%09font-family%3A%22Times%20New%20Roman%22%3B%7D%0A%40page%20Section1%0A%09%7Bsize%3A8.5in%2011.0in%3B%0A%09margin%3A1.0in%201.25in%201.0in%201.25in%3B%0A%09mso-header-margin%3A.5in%3B%0A%09mso-footer-margin%3A.5in%3B%0A%09mso-paper-source%3A0%3B%7D%0Adiv.Section1%0A%09%7Bpage%3ASection1%3B%7D%0A%2D%2D%3E--&gt;&lt;/style&gt;
&lt;!--StartFragment--&gt;37

	Alexander Kobrin, piano

	+++

	Recorded at WGBH&amp;#39;s Fraser Performance Studio on March 8th, 2010.&lt;br /&gt;
	&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
	http://www.wgbh.org/classical email: classical@wgbh.org</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod100308alexanderkobrin2.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 27 Aug 2010 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod100308alexanderkobrin2.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Alexander Kobrin, piano, Haydn, Sonata</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Discovery Ensemble plays Bach</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Discovery-Ensemble-plays-Bach-18589</link>
			<description>Bach didn&amp;#39;t often write music in a &quot;lighter&quot; vein, but when called upon, he came up with something really brilliant.  This piece was premiered at Zimmerman&amp;#39;s Coffee House in Leipzig in 1931, probably by a group of young musicians - not too much different from the Discovery Ensemble, conducted  in our studio in 2010 by Courtney Lewis.

	***

	Bach:  Orchestral Suite No. 3 in D major, BWV 1068

	The Discovery Ensemble; Courtney Lewis, conductor

	+++

	http://www.discoveryensemble.com/

	 

	Recorded at WGBH&amp;#39;s Fraser Performance Studio on January 15th, 2010.&lt;br /&gt;
	&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
	http://www.wgbh.org/classical email: classical@wgbh.org</description>
			<media:description>Bach didn&amp;#39;t often write music in a &quot;lighter&quot; vein, but when called upon, he came up with something really brilliant.  This piece was premiered at Zimmerman&amp;#39;s Coffee House in Leipzig in 1931, probably by a group of young musicians - not too much different from the Discovery Ensemble, conducted  in our studio in 2010 by Courtney Lewis.

	***

	Bach:  Orchestral Suite No. 3 in D major, BWV 1068

	The Discovery Ensemble; Courtney Lewis, conductor

	+++

	http://www.discoveryensemble.com/

	 

	Recorded at WGBH&amp;#39;s Fraser Performance Studio on January 15th, 2010.&lt;br /&gt;
	&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
	http://www.wgbh.org/classical email: classical@wgbh.org</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod100115discoveryensemble.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 20 Aug 2010 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod100115discoveryensemble.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Courtney Lewis, Bach, Orchestra, Suite</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		

		<item>
			<title>Vienna Piano Trio plays Mozart</title>
			
			<link>http://www.wgbh.org/programs/Classical-Performance-podcast-391/episodes/Vienna-Piano-Trio-plays-Mozart-18344</link>
			<description>The Vienna Piano Trio doesn&amp;#39;t claim to have any special &quot;Viennese&quot; touch when they play music by the masters of chamber music from that fair city, but they do have a remarkable flair.  They capture the playful spirit of mozart perfectly in this great Piano Trio, one of his finest.

	***

	Mozart:  Piano Trio in E major, K.542.

	Vienna Piano Trio

	+++

	Wolfgang Redik, violin; Stefan Mendl, piano; Matthias Gredler, cello

	 

	Recorded at WGBH&amp;#39;s Fraser Performance Studio on February 25th, 2010.&lt;br /&gt;
	&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
	http://www.wgbh.org/classical email: classical@wgbh.org</description>
			<media:description>The Vienna Piano Trio doesn&amp;#39;t claim to have any special &quot;Viennese&quot; touch when they play music by the masters of chamber music from that fair city, but they do have a remarkable flair.  They capture the playful spirit of mozart perfectly in this great Piano Trio, one of his finest.

	***

	Mozart:  Piano Trio in E major, K.542.

	Vienna Piano Trio

	+++

	Wolfgang Redik, violin; Stefan Mendl, piano; Matthias Gredler, cello

	 

	Recorded at WGBH&amp;#39;s Fraser Performance Studio on February 25th, 2010.&lt;br /&gt;
	&amp;copy;2010 WGBH Educational Foundation.&lt;br /&gt;
	http://www.wgbh.org/classical email: classical@wgbh.org</media:description>
			<media:thumbnail>http://www.wgbh.org/imageassets/class_perf_pod_480x268.jpg</media:thumbnail>
			<enclosure url="http://streams.wgbh.org/online/clas/pod100225viennapianotrio.mp3" />
			<itunes:author>WGBH Educational Foundation</itunes:author>
			<itunes:explicit>no</itunes:explicit>
			<pubDate>Fri, 13 Aug 2010 00:00:00 EST</pubDate>

			<guid isPermaLink="true">http://streams.wgbh.org/online/clas/pod100225viennapianotrio.mp3</guid>

			<pbscontent:distribution>local</pbscontent:distribution>
			<pbscontent:producing_member_station>WGBH</pbscontent:producing_member_station>
			<pbscontent:owner_member_station>WGBH</pbscontent:owner_member_station>


			<itunes:keywords>Mozart, Piano Trio, K.542, piano, violin, cello</itunes:keywords>
			<itunes:category text="News &amp; Politics"> </itunes:category>
		</item>
		
	</channel>

</rss>


